Louis XIV
At the beginning of his reign, the "Sun King" Louis XIV lived in Paris: in the Royal Palace (Paris Royale), in the Louvre, in the Tuileries. He tried to stay at Vincennes and Saint-Germain-en-Laye, and spent a season at Fontainebleau. In 1651, the king made his first visit to Versailles and in 1661 new expansion work began.[8] Louis Le Vau, the architect of the Palace of Vaux-le-Vicomte, was in charge of rebuilding the rooms, Charles Errard and Noël Coypel began work on decorating the rooms, while André Le Nôtre created the greenhouse and the zoo. At that time, Versailles was nothing more than a pleasure residence in whose gardens festivals were celebrated; The Louvre Palace was officially the royal palace.[9].
In May 1664, King Louis XIV inaugurated the palace.[10] Then the first festival was celebrated, which was called: "The Pleasures of the Enchanted Island". The festival began with two epic poems of the century: Orlando Furioso by Ludovico Ariosto and Jerusalem Liberated (La Gerusalemme liberata, 1580) by Torquato Tasso. Molière presented the French Letters creating the Princess of Elide") and the first three acts of Tartuffe "Tartuffe (Molière)"). The king had prepared this party, secretly, for Mademoiselle La Vallière.[11].
Louis XIV decided to preserve the palace built by Louis XIII. Luis Le Vau tripled the surface area of the palace, which was decorated taking up the theme of the Sun, omnipresent in Versailles. The gardens, especially appreciated by Louis
In 1667, the Grand Canal pond was excavated in the center of the garden.[13] Le Nôtre designed the extension of the central wing and took charge of the gardens and outer living quarters. He collaborated with Francine, son of an Italian engineer, for the construction and hydraulic installations. Le Nôtre applied his knowledge of architecture, hydraulics, geology, optics and botany to become a construction manager who revolutionized gardening by designing large-scale parks.[14].
The following year the tenth festival was celebrated on July 18, in which the name of Versailles was made known. Known (the festival) by the name of "Great Royal Entertainment of Versailles", they will leave their mark for their creations: Georges Dandin, Molière, as well as the festivals of Love and Chance, by Lully.[15].
The work at Versailles responded to a political and economic desire of Louis The project proposed the expansion of the palace, along the garden side, covered in stone.[17].
Le Vau began the construction of the covering, which consisted of a second construction that would surround the first palace. From one part of the old palace to the other, the king's "Great Apartment" to the north, and the queen's to the south, were placed symmetrically.[18] A terrace, in front of the gardens, connected both rooms. Momentarily, the brick and stone palace was preserved. The facades were adorned with Rance marble columns, wrought iron and gilded balconies and busts on the balustrades. The roofs were decorated and the patio was paved with marble.[19].
On October 11, 1670, Le Vau died, and Colbert appointed François d'Orbay to continue the works. Louis XIV saw his wish fulfilled, the palace of Louis son. The long facades were punctuated by a projection and divided at the top.
Ionic columns, niches and tall rectangular windows (designed by Mansart in 1669) were placed on the first floor. It was decorated with sculptures: statues in the niches and rectangular bas-reliefs over the windows (disappeared in 1679). On the second floor, or attic, the decoration was in the Corinthian style and was crowned with a balustrade.[20].
In Versailles, and closing the terrace of Le Vau by means of a long façade whose architectural lines were the same as those of the new palace, Mansart built the Gallery of Mirrors between 1678 and 1684. This symbol of the absolute power of the monarch, was built on the old terrace of the new palace. The decoration was entrusted to the team of Charles Le Brun.[21] The gallery, limited to the north by the "War" room and, to the south by the "Peace" room, is long,[22] occupying the west façade of the "New Palace", and served as communication between the apartments of the king and the queen.
In 1678, construction began on the south wing intended to house courtiers. Mansart planned the construction of two buildings that would frame the Le Vau palace to the north and south and behind it.[23] In this way, the Gallery of Mirrors, the Hall of War and Peace replaced the terrace and the king's and queen's cabinets.
Between 1685 and 1689 a true construction fever gave way to the Greenhouse, the stables, the Great Common and the north wing for the courtiers. The construction of the north and south wings expanded the facades of Le Vau. The façade was medium. The two new buildings housed the Princesses and the courtiers, the stables, the carriages, the general services and the accommodation of the servants. The Grotto of Téthys was demolished. In 1687, Mansart built a small marble and porphyry palace: the Grand Trianon.
At the new Versailles, the queen's apartments were accessed by a marble staircase called the "Queen's Staircase." The landing gave access to the two Rooms of the Corps Guard, then there was the Antechamber, the Great Cabinet and the Chamber that overlooked the Hall of Peace. This group made up the south façade built by Le Vau.
The king's new apartments were built around the Marble Courtyard. The official apartments called the "King's Apartments" occupied the south and west wings of Louis XIII's palace, and the "Interior Department" was in the north wing. The king's department was made up of seven pieces, the last one joined with the Interior Department. In the center of the palace the King's Hall (future chamber of Louis XIV) was installed, and it ended with the Council Cabinet and the "Cabinet of the Thermes" or "Wigs".
In 1701, the king's chamber was placed in the center of the palace. The antechamber and the chamber (1689) were joined together to form the "Bull's Eye Chamber". In 1710, the construction of the Royal Chapel built by Robert de Cotte was completed, which would mark the end of the reign of Louis XIV. On September 1, 1715, the Sun King died. His body was exposed in his own room, converted into a burning chapel.[24].
In May 1682 the king left Saint-Cloud and settled permanently in Versailles, which thus became the official residence of the king of France. Versailles then experienced the heyday of courtly society. Louis XIV transformed a warlike and potentially rebellious nobility into a group maintained by the State in the person of the king. The king, who had known during the Fronde "Fronde (uprising)") the dangers of an uprising of the nobility, wanted to protect both the royal person and the government.[25]
The king established rules of protocol that transformed all his actions, even the most everyday ones, into an almost sacred ceremony. A certain number of people could be present when the kings got up or went to bed. The most favorites had the honor of surrounding the king behind the balustrade, which isolated the bed from the rest of the bedroom, and helping him when he dressed. All the acts of his life were regulated in this way and the king's relations with the people who could approach him had to be carried out with all solemnity, whether they were receptions for ambassadors, presentation of nobles and titled ladies, or the receipt of congratulations and congratulations.[25].