Mayan art is essentially the art of the royal court. It deals almost exclusively with the Mayan elite and their world. Mayan art, made from perishable and non-perishable materials, served to connect the Mayans with their ancestors. Although surviving Mayan art only constitutes a small portion of what the Mayans created, it deals with a wider variety of themes than any other art tradition in the Americas.
The Mayans showed a preference for the color green or blue-green, and used the same word for the colors blue and green. Consequently, they placed a high value on green jade and other green stones&action=edit&redlink=1 "Green Stones (Archaeology) (not yet redacted)"), associating them with the Sun god K'inich Ajau. They sculpted artifacts ranging from fine beads and tesserae to carved heads weighing 4.42 kg.[207] The Mayan nobility practiced dental modification, and some lords wore jade inlays in their teeth. Mosaic funerary masks could also be made of jade, such as that of K'inich Janaab' Pakal, the king of Palenque.[208].
Mayan stone sculpture emerged in the archaeological record as a fully developed tradition, suggesting that it may have evolved from the tradition of wood sculpture.[210] Due to the biodegradability of wood, the corpus of wood work has almost completely disappeared. The few wooden artifacts that have survived include three-dimensional sculptures and panels with glyphs. Stone stelae are common at city sites, often paired with low circular stones, known as "altars" in the literature of Mayan archaeology. Stone sculpture also took other forms, such as the limestone "Relieve (art)") relief panels found at Palenque and Piedras Negras "Piedras". Negras (archaeological site)").[213] Stone stairs decorated with sculptures were also found in sites such as Yaxchilán, Dos Pilas, Copán, among others.[214] The Copán glyph staircase is made up of 2,200 individual glyphs and constitutes the longest known Mayan glyphic text.[215].
The largest Mayan sculptures were architectural facades made with stucco. The rough shape was set on a smooth plaster covering on the wall, and the three-dimensional shape was built with small stones. Finally, this was covered with stucco and molded into the final shape; The shapes of the human body were first modeled in stucco and then the costumes were added. Finally, the stucco sculpture was painted in bright colors.[216] By the Late Preclassic, temple facades were adorned with giant stucco masks, and this type of decoration continued throughout the Classic period.[217]
The Mayans had a long tradition of mural painting; Exquisite polychrome murals dating from between 300 and 200 BC were excavated at San Bartolo "San Bartolo (archaeological site)". C.[218] The polychrome designs were painted on walls covered in smooth plaster. Most of these murals no longer exist, but several preserved murals—painted in cream, red, and black—were found in Early Classic period tombs at Caracol, Río Azul "Río Azul (site)"), and Tikal. Among the best preserved murals, a series of large paintings from the Late Classic in Bonampak stands out.[219].
Generally, flint, flint, and obsidian served utilitarian purposes in Mayan culture, but many pieces were also found that were finely crafted into shapes that were never intended to be used as tools.[221] Eccentric flints are among the finest lithic artifacts produced by the ancient Maya.[222] In technical terms, they were very difficult to produce,[223] and required skill. considerable on the part of the craftsman. The largest obsidian eccentrics can be up to more than 30 cm in length.[224] Their shape can vary considerably, but they typically depict human figures, animals, and geometric shapes associated with the Mayan religion.[223] The eccentric flints show a wide variety of shapes, such as crescents, crosses, snakes, and scorpions.[225] The largest and most elaborate examples show multiple human heads of which some Sometimes smaller heads are detached.[226].
Mayan textiles are poorly represented in the archaeological record, although—compared to other pre-Columbian cultures, such as the Aztecs and the Andean region—they were likely high-value items.[227] Archaeologists recovered some textile fragments, but the best evidence for textile art is their representation in other media, such as murals or painted pottery. These secondary representations show the elite of the Mayan court adorned in sumptuous fabrics; In general, these would have been made of cotton, but jaguar skins and deer hides are also shown.[228].
Ceramics are the most common type of Mayan art in the archaeological record. The Mayans had no knowledge of the potter's wheel, and the vessels were made with the roll-warping technique&action=edit&redlink=1 "Roll (ceramic) (not yet written)") to obtain the desired shape. Mayan pottery was not glazed, although it often had a fine finish, produced by burnishing. It was painted with a clay bath mixed with minerals and colorful clays. The cooking techniques of the ancient Maya have not yet been replicated.[229] A number of extremely fine ceramic figurines were found in Late Classic tombs on the island of Jaina, northern Yucatán. They stand at a height between and were modeled by hand in great detail.[230] The Ik style polychrome ceramic corpus, including finely painted plates and cylindrical vessels, originated in the Late Classic at Motul de San José. It includes a number of features, such as glyphs painted in a pale pink or red color and scenes of masked dancers. One of the most distinctive features is the realistic representation of the themes, as they appeared in real life. The subjects of the vessels included the court life of the Petén region, in the century AD, such as diplomatic meetings, festivals, ritual bloodshed, scenes of warriors and the sacrifice of prisoners of war.[231]
Bone material, both human and animal, was also sculpted; the human bones may have been trophies, or relics of ancestors.[210] The Mayans valued shells of the genus Spondylus, and worked them to remove the white exterior and spines, and reveal the fine orange interior.[232] Around the century AD. C., metallurgy reached Mesoamerica from South America and the Mayans began to create small objects of gold, silver and copper. They generally worked the sheets of metal by hammering them into objects such as beads, rattles, and discs. In the last centuries before the Spanish conquest, the Mayans began to use the lost wax method to cast small pieces of metal.[233].
An understudied area of Mayan folk art is that of graffiti.[234] Additional graffiti, which was not part of the intended decoration, was etched into the stucco of interior walls, floors, and benches, in a wide variety of buildings, including temples, residences, and warehouses. Graffiti was found at 51 Mayan sites, primarily in the Petén Basin, southern Campeche, and the Chenes region&action=edit&redlink=1 "Chenes (Mayan architecture) (not yet redacted)") in northwestern Yucatan. At Tikal, a large quantity of graffiti was found, the subject matter of which included drawings of temples, people, deities, animals, banners, litters, and thrones. Often the graffiti was carelessly etched, and the drawings overlapped each other and showed a mixture of crude, unrefined art and examples by artists familiar with the artistic conventions of the period. Classic.[235].