Motion

The word movement suggests something dynamic, however, movement can also be seen in static objects, such as a painting, a sculpture or a building, without them moving within a space. To simulate movement in a static object, the gradual difference can be used (whether in size, color, shape, etc.), due to the position of its elements, etc.

Directionality

It is a directed movement towards a desired point of interest.

Modulation

It is obtained when the design is carried out under a repetition of equal elements or combined rhythms, resulting in a network or plot, whether triangular, circular, combined, etc.

Contrast

The contrast is a marked difference in appreciation. The clearest example of contrast is expressed with antonym adjectives, applied to a design, such as large-small, smooth-rough, light-dark. Contrasts of figures or bodies can be achieved through color and texture, size, position, and many more.

Balance

The word balance suggests equal parts, a balance between several things, in design, balance is not always achieved in an exact, mathematical way, but is rather appreciative. Sometimes axes of composition intervene to judge one part with another.

The elements must relate to each other and be located on the plane according to the weights they represent.

Order

It means relating elements to each other through established principles. The rules that establish this order can be by shape, size, color, texture, etc. Some of the above principles may come into play.

Rhythm

The rhythm consists of more than one repetition presented successively. For a rhythm to exist, there must be at least two different elements that interact to form a sequence.

Certainly the rhythm in the plastic arts is determined by a movement created by the artist through the combination of lines, color and value. In sculpture and architecture, rhythm is given by the use of space and volume, this quality has evolved in these artistic manifestations. Before they were rigid, flat and gave the sensation of heaviness, today both the materials and the technique allow us to see harmony and movement in the works. There is a variety of rhythms, these are repetition, alternation, symmetry and radiation.

Motion

The word movement suggests something dynamic, however, movement can also be seen in static objects, such as a painting, a sculpture or a building, without them moving within a space. To simulate movement in a static object, the gradual difference can be used (whether in size, color, shape, etc.), due to the position of its elements, etc.

Directionality

It is a directed movement towards a desired point of interest.

Modulation

It is obtained when the design is carried out under a repetition of equal elements or combined rhythms, resulting in a network or plot, whether triangular, circular, combined, etc.

Contrast

The contrast is a marked difference in appreciation. The clearest example of contrast is expressed with antonym adjectives, applied to a design, such as large-small, smooth-rough, light-dark. Contrasts of figures or bodies can be achieved through color and texture, size, position, and many more.

Balance

The word balance suggests equal parts, a balance between several things, in design, balance is not always achieved in an exact, mathematical way, but is rather appreciative. Sometimes axes of composition intervene to judge one part with another.

The elements must relate to each other and be located on the plane according to the weights they represent.

Order

It means relating elements to each other through established principles. The rules that establish this order can be by shape, size, color, texture, etc. Some of the above principles may come into play.