bullrings

The first example of the neo-Mudejar style is Goya's old bullring (1874) in Madrid (which was where the Palacio de Deportes is now located), the work of Emilio Rodríguez Ayuso and Lorenzo Álvarez Capra. From then on, the style was almost obligatory in bullrings throughout Spain.

Notable examples are: the bullring of Toledo (1866), the bullring of Malagueta, in Malaga, work of Joaquín Rucoba from 1876; that of El Bibio, in Gijón, completed in 1888 according to the design of Ignacio de Velasco"); the Zamora square, the work of Martín Pastells y Papell; the La Merced bullring in Huelva from 1902; the Arenas and Monumental squares in Barcelona, the work of Ignasi Mas and Domingo Sugrañes; the Granada bullring 1928, by the architect Ángel Casas; the of Caudete bulls"), built by Juan Arellano") and Francisco Albalat Navajas") in 1910; the current Plaza de las Ventas in Madrid, considered the greatest exponent of neo-Mudejar bullfighting; or those of Cartagena, El Puerto de Santa María, Quintanar de la Orden"), Oviedo, Santa Cruz de Tenerife, Almería, Almendralejo, Villanueva del Arzobispo, Villena, Teruel and Albacete. In Portugal, the Campo Pequeno Bullring stands out.

In Uruguay they have just recycled the Plaza de Toros del Real de San Carlos, in Colonia del Sacramento, built by Nicolás Mihanovich at the beginning of the century, today a center for exhibitions and musical shows.

railway stations

The railway sector absorbed the bulk of investment in infrastructure in Spain between the middle of the century and the Civil War.[4] Among the sites built in neo-Mudejar language, the Toledo station stands out, designed by Narciso Clavería and completed in 1920; the Plaza de Armas station in Seville (1901); the Huelva-Término station (1880); the Sanlúcar la Mayor station (1880); the Dos Hermanas station (1917); or the Aranjuez station (1923). In the province of Badajoz, the old Zafra railway station from 1917 stands out.

A good part of the stations on the Seville-Huelva line were built in this style. In Aragon the neo-Mudejar had a wide development, due in part to its own Mudejar tradition, manifesting itself in Teruel some of its greatest creations, such as the Station Staircase"), the work of the engineer José Torán de la Rad, from the year 1921.

Schools

The schools designed by the architect Antonio Flórez Urdapilleta contrasted the rationalism of his approaches with a historicist finish that takes many elements from the Neomudéjar, and that experiments with contemporary textures in its use of brick. Other architects had initiated this use of brick but without taking the Mudejar style, as in the Claudio Moyano Institute in Zamora. In school buildings in Spain, the Art-Deco style was often covered in brick. Among others we can mention:

Spas, casinos and theaters

The consolidation of liberal-bourgeois society during the century led to the construction of new spas and the restoration of existing ones. During the period of the Restoration") there was an expansion in the areas dominated by the new bourgeoisie, mainly in Catalonia, Cantabria and the Basque Country, which gave rise to the construction of large hotels associated with the spas. Barceloneta"), by Augusto Font Carreras; the Spa of San Lucas"), in Mula "Mula (Murcia)") (1903); and the Spa of Lanjarón (1928).

Casinos also experienced a golden age with the establishment of the liberal-bourgeois state, being the meeting center of the aristocracy and bourgeoisie of the time. The Gaditano Casino, the old Toledo Casino, the Teruel Casino) and the Granja de Torrehermosa are neo-Mudejar.

Among the theaters, the Gran Teatro Falla de Cádiz stands out, the work of Adolfo Morales de los Ríos, and the Teatro Alhambra from Madrid, now defunct, and the Teatro María Guerrero, both the work of Agustín Ortiz de Villajos and of Granada inspiration, more neo-Arab than neo-Mudejar.

Factories

The growth of Madrid and the arrival of the railway made the south of the city become an area of expansion and industrial neighborhood, hosting loading docks, sidings, factories, warehouses and other manufacturing and industrial facilities, many of which would be built in neo-Mudejar style, such as the El Águila Beer Factory (1912), the work of Eugenio Jiménez Correa, the old PACISA Cookie Factory attributed to Luis [9]

Also in Madrid was the missing Fábrica Gal (1915), by Amós Salvador Carreras, with a nine-sided irregular polygon plan. Outside of Madrid, the also extinct Azucarera de Marcilla" (1899) in Navarra stands out; the Ceramo de Benicalap (1889), by José Ros y Surió; the San José de Toledo flour factory; and the Cádiz tobacco factory, a building with an irregular floor plan with a glazed ceramic roof, today converted into the Palace of Congresses and Exhibitions of Cádiz.[10]​ In the municipality of Cordoba In Puente Genil, the case of the La Aurora electricity factory (1894), by Rodrigo García Luque, stands out, which currently houses homes.

A unique example is the architectural complex called Presa El Salto de El Carpio (Córdoba).

Windmill

This architectural style was applied to all types of buildings and as an example we can talk about the windmill in the back patio of the neo-Gothic style palace of Can Trinxeria in Cassá de la Selva (Gerona). In the past it was used to extract water from a well.

Dwelling

The Neomudéjar immediately became a very popular style in the hamlets of the new neighborhoods of Madrid, sometimes manifesting itself in its most basic and modest appearance, others with a much more elaborate display of compositional means, as is the case of bourgeois collective homes designed by the Marquis of Cubas or Francisco Jareño. The main material, brick, was not expensive and neither was the labor, which reproduced the models from one home to another. Much of this heritage, not protected, has been demolished due to real estate pressure since many of them are humble one- or two-story homes. However, there are many notable examples in the neighborhoods on the outskirts of Madrid (notably in the district of Tetuán "Tetuán (Madrid)") and scattered throughout the province.

Also worth highlighting is the neo-Mudejar patio, more specifically neo-Nasrid, of the Manor House of the Peche Family, located in the city of Fregenal de la Sierra (Badajoz "Badajoz (province)")).

Other examples

From Madrid we can mention, among them, the Canal de Isabel II tower on Santa Engracia street, and the Aguirre Schools on the north side of the Retiro Park. In Toledo, the School of Industrial Arts of Arturo Mélida, of which its original façade inspired by the Toledo Mudejar is preserved.

In Andalusia, the Gran Teatro Falla in Cádiz stands out, the Mudéjar Pavilion "Pabellón Mudéjar (Sevilla)") of the María Luisa park "Parque de María Luisa (Sevilla)") in Seville (which houses the Museum of Popular Arts and Customs "Museo de Artes y Costumbres Populares (Sevilla)") in Seville) and some wineries "Bodega (viticulture)") in Jerez de la Border[11]​.

In Extremadura, the San Calixto de Plasencia school (1887-1903) also stands out, later the barracks and today the educational complex of the University of Extremadura.

Other important buildings are the Palacio Laredo in Alcalá de Henares or the auditorium of the University of Barcelona.

bullrings

The first example of the neo-Mudejar style is Goya's old bullring (1874) in Madrid (which was where the Palacio de Deportes is now located), the work of Emilio Rodríguez Ayuso and Lorenzo Álvarez Capra. From then on, the style was almost obligatory in bullrings throughout Spain.

Notable examples are: the bullring of Toledo (1866), the bullring of Malagueta, in Malaga, work of Joaquín Rucoba from 1876; that of El Bibio, in Gijón, completed in 1888 according to the design of Ignacio de Velasco"); the Zamora square, the work of Martín Pastells y Papell; the La Merced bullring in Huelva from 1902; the Arenas and Monumental squares in Barcelona, the work of Ignasi Mas and Domingo Sugrañes; the Granada bullring 1928, by the architect Ángel Casas; the of Caudete bulls"), built by Juan Arellano") and Francisco Albalat Navajas") in 1910; the current Plaza de las Ventas in Madrid, considered the greatest exponent of neo-Mudejar bullfighting; or those of Cartagena, El Puerto de Santa María, Quintanar de la Orden"), Oviedo, Santa Cruz de Tenerife, Almería, Almendralejo, Villanueva del Arzobispo, Villena, Teruel and Albacete. In Portugal, the Campo Pequeno Bullring stands out.

In Uruguay they have just recycled the Plaza de Toros del Real de San Carlos, in Colonia del Sacramento, built by Nicolás Mihanovich at the beginning of the century, today a center for exhibitions and musical shows.

railway stations

The railway sector absorbed the bulk of investment in infrastructure in Spain between the middle of the century and the Civil War.[4] Among the sites built in neo-Mudejar language, the Toledo station stands out, designed by Narciso Clavería and completed in 1920; the Plaza de Armas station in Seville (1901); the Huelva-Término station (1880); the Sanlúcar la Mayor station (1880); the Dos Hermanas station (1917); or the Aranjuez station (1923). In the province of Badajoz, the old Zafra railway station from 1917 stands out.

A good part of the stations on the Seville-Huelva line were built in this style. In Aragon the neo-Mudejar had a wide development, due in part to its own Mudejar tradition, manifesting itself in Teruel some of its greatest creations, such as the Station Staircase"), the work of the engineer José Torán de la Rad, from the year 1921.

Schools

The schools designed by the architect Antonio Flórez Urdapilleta contrasted the rationalism of his approaches with a historicist finish that takes many elements from the Neomudéjar, and that experiments with contemporary textures in its use of brick. Other architects had initiated this use of brick but without taking the Mudejar style, as in the Claudio Moyano Institute in Zamora. In school buildings in Spain, the Art-Deco style was often covered in brick. Among others we can mention:

Spas, casinos and theaters

The consolidation of liberal-bourgeois society during the century led to the construction of new spas and the restoration of existing ones. During the period of the Restoration") there was an expansion in the areas dominated by the new bourgeoisie, mainly in Catalonia, Cantabria and the Basque Country, which gave rise to the construction of large hotels associated with the spas. Barceloneta"), by Augusto Font Carreras; the Spa of San Lucas"), in Mula "Mula (Murcia)") (1903); and the Spa of Lanjarón (1928).

Casinos also experienced a golden age with the establishment of the liberal-bourgeois state, being the meeting center of the aristocracy and bourgeoisie of the time. The Gaditano Casino, the old Toledo Casino, the Teruel Casino) and the Granja de Torrehermosa are neo-Mudejar.

Among the theaters, the Gran Teatro Falla de Cádiz stands out, the work of Adolfo Morales de los Ríos, and the Teatro Alhambra from Madrid, now defunct, and the Teatro María Guerrero, both the work of Agustín Ortiz de Villajos and of Granada inspiration, more neo-Arab than neo-Mudejar.

Factories

The growth of Madrid and the arrival of the railway made the south of the city become an area of expansion and industrial neighborhood, hosting loading docks, sidings, factories, warehouses and other manufacturing and industrial facilities, many of which would be built in neo-Mudejar style, such as the El Águila Beer Factory (1912), the work of Eugenio Jiménez Correa, the old PACISA Cookie Factory attributed to Luis [9]

Also in Madrid was the missing Fábrica Gal (1915), by Amós Salvador Carreras, with a nine-sided irregular polygon plan. Outside of Madrid, the also extinct Azucarera de Marcilla" (1899) in Navarra stands out; the Ceramo de Benicalap (1889), by José Ros y Surió; the San José de Toledo flour factory; and the Cádiz tobacco factory, a building with an irregular floor plan with a glazed ceramic roof, today converted into the Palace of Congresses and Exhibitions of Cádiz.[10]​ In the municipality of Cordoba In Puente Genil, the case of the La Aurora electricity factory (1894), by Rodrigo García Luque, stands out, which currently houses homes.

A unique example is the architectural complex called Presa El Salto de El Carpio (Córdoba).

Windmill

This architectural style was applied to all types of buildings and as an example we can talk about the windmill in the back patio of the neo-Gothic style palace of Can Trinxeria in Cassá de la Selva (Gerona). In the past it was used to extract water from a well.

Dwelling

The Neomudéjar immediately became a very popular style in the hamlets of the new neighborhoods of Madrid, sometimes manifesting itself in its most basic and modest appearance, others with a much more elaborate display of compositional means, as is the case of bourgeois collective homes designed by the Marquis of Cubas or Francisco Jareño. The main material, brick, was not expensive and neither was the labor, which reproduced the models from one home to another. Much of this heritage, not protected, has been demolished due to real estate pressure since many of them are humble one- or two-story homes. However, there are many notable examples in the neighborhoods on the outskirts of Madrid (notably in the district of Tetuán "Tetuán (Madrid)") and scattered throughout the province.

Also worth highlighting is the neo-Mudejar patio, more specifically neo-Nasrid, of the Manor House of the Peche Family, located in the city of Fregenal de la Sierra (Badajoz "Badajoz (province)")).

Other examples

From Madrid we can mention, among them, the Canal de Isabel II tower on Santa Engracia street, and the Aguirre Schools on the north side of the Retiro Park. In Toledo, the School of Industrial Arts of Arturo Mélida, of which its original façade inspired by the Toledo Mudejar is preserved.

In Andalusia, the Gran Teatro Falla in Cádiz stands out, the Mudéjar Pavilion "Pabellón Mudéjar (Sevilla)") of the María Luisa park "Parque de María Luisa (Sevilla)") in Seville (which houses the Museum of Popular Arts and Customs "Museo de Artes y Costumbres Populares (Sevilla)") in Seville) and some wineries "Bodega (viticulture)") in Jerez de la Border[11]​.

In Extremadura, the San Calixto de Plasencia school (1887-1903) also stands out, later the barracks and today the educational complex of the University of Extremadura.

Other important buildings are the Palacio Laredo in Alcalá de Henares or the auditorium of the University of Barcelona.