The house had an area of ​​2,160 square meters, with one floor integrating the spaces of the house in it that took advantage of the igneous stone rock formation to integrate them. The entrance to the house was inspired by Mayan arches. The entire environment of the house was covered by mosaics made with colored stones where there were mostly motifs from the art of the people of Mesoamerica. These elements had already been tested in the house he built for the musician Conlon Nancarrow.[3]​.

For the stage of architectural production in which he was when he made his house, O'Gorman was fully identified with the organic current in architecture as well as the plastic integration in it. In fact, O'Gorman declared that he regretted not having known the organic current in his youth in opposition to functionalism, "if I had practiced Wright's teachings instead of functionalism, I would have left a more important work in architecture in my country." His father broke the architectural trend of functionalism, with this home O'Gorman incorporated new influences in an architecture that had not been practiced in Mexico.[8]​.

The painter Diego Rivera said about the house to the author, "Juanito, you have managed to make in Mexico the first modern house of a purely Mexican style, in accordance with the current of art that we call the classic current of Mexican art."[8]​ Meanwhile, Mathias Goeritz related O'Gorman's house with dada art.[4]​.

The house had an area of ​​2,160 square meters, with one floor integrating the spaces of the house in it that took advantage of the igneous stone rock formation to integrate them. The entrance to the house was inspired by Mayan arches. The entire environment of the house was covered by mosaics made with colored stones where there were mostly motifs from the art of the people of Mesoamerica. These elements had already been tested in the house he built for the musician Conlon Nancarrow.[3]​.

For the stage of architectural production in which he was when he made his house, O'Gorman was fully identified with the organic current in architecture as well as the plastic integration in it. In fact, O'Gorman declared that he regretted not having known the organic current in his youth in opposition to functionalism, "if I had practiced Wright's teachings instead of functionalism, I would have left a more important work in architecture in my country." His father broke the architectural trend of functionalism, with this home O'Gorman incorporated new influences in an architecture that had not been practiced in Mexico.[8]​.

The painter Diego Rivera said about the house to the author, "Juanito, you have managed to make in Mexico the first modern house of a purely Mexican style, in accordance with the current of art that we call the classic current of Mexican art."[8]​ Meanwhile, Mathias Goeritz related O'Gorman's house with dada art.[4]​.