The bourgeois city
En el siglo , se produce un crecimiento demográfico y una notable transformación morfológica y tipológica del centro histórico impulsada por las desamortizaciones y el desarrollo de la industria textil y metalúrgica. De esta época se conservan numerosas edificaciones y el eje principal del casco antiguo, calle Larios, proyectada por el ingeniero José María de Sancha. El diseño de los inmuebles que encierran la calle es obra de Eduardo Strachan Viana-Cárdenas, quien introdujo en la ciudad el estilo de la Escuela de Chicago "Escuela de Chicago (arquitectura)"), pero con el aire europeo de los bulevares de Haussmann.
Effects of confiscations
The incorporation into the real estate market of the large properties of religious institutions due to successive confiscations had a great effect on the road system of the historic center "Centro Historico (Málaga)") and the old suburb of Fontanalla, then called Barrio Alto. The new blocks required a road system that articulated them and integrated them into the rest of the urban fabric. The demolition of the Santa Clara convent in 1890 resulted in the opening of Molina Lario and Duque de la Victoria streets, as well as the new alignment of Santa María street and the creation of Plaza del Siglo. The convent of San Bernardo gave rise to the streets of Denis Belgrano, Niño de Guevara and Méndez Núñez, which opened in 1871. On the site of the convent of Santa María de la Paz, the Casas de Campos and the homonymous passage were built, forming the current northern façade of the Plaza de la Merced "Plaza de la Merced (Málaga)"), where Picasso's birthplace is located. In this same square, the demolition of the convent of La Merced allows the liberation of the entire area of the Teatro Cervantes "Teatro Cervantes (Málaga)").[12].
In the western sector of the center, the convent of San Pedro de Alcántara gave rise in 1837 to the construction of the Plaza del Teatro and San Pedro de Alcántara and the widening of Calle Comedias. The demolition of the convent of San Francisco allowed the creation of the Plaza de San Francisco "Plaza de San Francisco (Málaga)") and the layout of the streets of Don Rodrigo, Cristos y Gigantes. Luis de Street Velásquez and the alignment of Calle del Ángel arose with the demolition of the convent of the Dominican Nuns of the Angel, and Calle Sánchez Pastor, with the demolition of the convent of the Carmelites. For its part, the convent of the barefoot Augustinian nuns gave rise to the Chinitas passage on one side of the Plaza de la Constitución "Plaza de la Constitución (Málaga)"), and the convent of the Capuchinas, on the street. Echegaray, opened in 1876.[12].
In the lots freed by the confiscations, a bourgeois, elegant and homogeneous architecture is developed, which even today characterizes a good part of the historic center. The large mansions of the aristocracy and the upper bourgeoisie, which settle in the eastern part of the city "East District (Málaga)"), are not built in these areas, but rather the petty bourgeoisie of an incipient 19th century middle class settle, with a preference for superb architecture of neoclassical inspiration. Generally, three-story buildings with ground floor and attic and rounded corners are built.[17].
Larios Street
A virulent cholera epidemic that occurred in 1833 once again highlighted the need to improve the sanitary conditions of the city center that had already manifested themselves in the last century (see: Cholera pandemics in Spain). The Ensanche plan of 1859 by the architect José Moreno Monroy) contemplated the opening of a large street from the Plaza de la Constitución "Plaza de la Constitución (Málaga)") to the Boquete del Muelle, located at the beginning of the current park, but the necessary financing was denied by the Central Government and it was not until 1878 when a new project by the engineer José María de Sancha proposed the opening of three new streets, one of which would be the future Larios street, which the municipal architect Joaquín de Rucoba was in charge of.[12][22].
That same year, the plan was approved by the city council, which resorted to the creation of a public limited company for its financing. However, the society was unable to carry out the project and in 1886, the Larios house took on the construction of the new street and the twelve blocks of buildings on its sides. The entire work was completed in 1891, just four years after the replacement of Casa Larios, and was finished with innovative details, such as a special wooden pavement that reduced the noise of horse carriages, which, however, disappeared due to the effects of the great flood of 1907.[12][22].
Impact of industrialization
The deployment of industrial activity that began with the installation of the La Constancia forge "La Constancia (forge)") in 1826 spread to other sectors, especially textiles and cotton, but also to spirits, chemicals, preserves, lithographs, soaps, etc. These new uses had their preferred area of expansion on the right bank of the Guadalmedina, that is, to the west of the city, and determined the conversion of the old fishing neighborhood of El Perchel into a working-class neighborhood, from which new proletarian neighborhoods would extend westward. The neighborhood of La Trinidad "La Trinidad (Málaga)") also felt the effects of this phenomenon, although it maintained a more agricultural character with farmhouses such as Suárez "Suárez (Málaga)") or Gamarra "Gamarra (Málaga)").[17].
Although the city experienced this intense industrialization since the 1830s, it was not until the 1860s when the overcrowded conditions of the majority of the population made clear the need to extend the city beyond the traditional urban limits. The Expansion Plan of 1861 did not foresee hardly any new spaces for urbanization and did not resolve the tensions derived from a rapidly growing city. Around that time, seven metallurgical, textile and chemical factories were established in the western area, requiring the work of more than 4,000 workers daily. As the decade went by, the number of factories increased to twelve and consequently the number of workers who traveled to the area daily increased.[23].
The first working-class neighborhoods in the industrial zone consisted of the typical corralones "Corralón (architecture)") in which workers were crowded in extreme conditions, as was the case of the El Bulto neighborhood, promoted by Manuel Agustín Heredia in 1851. The first project to alleviate this situation came from the hand of the industrialist Eduardo Huelin Reissig, who presented in 1868 the project for the working-class neighborhood of Huelin in an area next to the factories, outside the planned expansions. The project aimed to establish cheap houses for the working class on a large scale, so a plan had to be drawn up for the construction of an entire new neighborhood. It was a revolutionary project and the designs for other neighborhoods such as La Pelusa, the expansion north of La Trinidad "La Trinidad (Málaga)") or north of El Molinillo "El Molinillo (Málaga)") were inspired by it.[23]
The project's objective was to improve the housing conditions of the workers, but also to eliminate the two places in which they socialized and where the ideas of the labor movement were propagated: the tavern and the courtyard of the corralón, considered as places inducing "deviant" behavior. In this way, a project of single-family homes is conceived, grouped in small blocks in whose corners the only two-story homes are placed, intended for the foremen. The project included a church, a dispensary and a school, in addition to more than 1,000 homes, being one of the largest projects of the time in the entire country.[23].
Ensanches
The new reform and expansion of the port brought with it the liberalization of extensive land in Plaza de la Marina, Cortina del Muelle street and Haza Baja de la Alcazaba, on which the extension of the Alameda to Paseo de la Farola was planned. The filling works began in 1897, with Malaga Park being configured in successive works[12] and in whose design architects such as Eduardo Strachan Viana-Cárdenas, Manuel Rivera Vera, Fernando Guerrero Strachan and Joaquín de Rucoba among others participated, the latter being the main designer.
Previously, in 1861, the first Malaga Expansion Plan was approved, by the architect José Moreno Monroy") and in 1892 another plan by Emilio de la Cerda or José María de Sancha, but neither would be executed during the 19th century, so it would not be until 1929 when the Malaga Expansion Plan by Daniel Rubio was drafted, which would give its definitive form to the Ensanche Heredia.
The new bourgeois neighborhoods
The expansion of the city towards the east is also a consequence of industrialization, but instead of large industrial facilities, the homes of the bourgeoisie who amassed great fortunes with the economic boom of the century are developed in this area. At the beginning of the century Theodore Reding continued the demolition of the walls that allowed the opening of the Reding promenade, which soon became the residential area of the aristocracy. The opening in 1848 of the Vélez road, between the mountains of Gibralfaro and Sancha and the sea, made possible the construction of houses on its sides that gave rise to the appearance of the new neighborhoods of La Caleta "La Caleta (Málaga)"), El Limonar, Bellavista "Bellavista (Málaga)"), Miramar "Miramar (Málaga)"), etc., characterized by the preponderance of elegant villas surrounded of exuberant gardens, which continue to emerge during the following century.[17] The urbanization project was due to the engineer José María de Sancha, who built Villa Cele María for himself on the promenade that bears his name.[25].
Unlike the new constructions in the historic center, the homes in the eastern area are characterized by the decorative profusion and the variety of styles used: neo-baroque, neo-Mudejar, neo-Arabic, etc.[17] Over time, some of these homes were acquired by families from the interior, who used them as summer or winter residences, and the conversion of some of them into hotels began, turning the area into the preferred tourist spot in the city.[25].