• - Berger des Nuages by Jean Arp, 1954.

• - Floating Clouds "Floating Clouds (artwork)") by Alexander Calder, 1953.

• - University Hospital of Caracas, 1954.

• - Venezuela Lagoon.

• - Mural by Pedro León Zapata from the Francisco Fajardo Highway.

• - L'Amphion by Henri Laurens, 1953.

• - Faculty of Architecture and Urban Planning.

The Humboldt Hotel, built under the doctrine of perezjimenismo. His plan from the beginning has been to create a larger tourist and recreational complex, involving the Caracas cable car as a means of transportation. This work represents the effort on the part of its architect, Tomás José Sanabria, to generate a comprehensive architecture that articulates the relationship between architecture, nature and the city.[7]​ The final project is presented as a functional distribution of masses and style. It is made up of a series of large vaulted rooms and a circular tower. The construction of this building was a true engineering feat due to its remote location that made it difficult to access and transfer materials. Despite these difficulties, the hotel was built in the short period of 199 days.[8]​ In 1965 he obtained the National Prize for Architecture and then in 1967 he was awarded another by the National Institute of Culture and Fine Arts. In 1973 he was appointed main member of the Conservation Board of the Artistic and Historical Heritage of the Nation.[9]​.

As a place subject to the economic, political and social ups and downs that have shaped Venezuelan reality in the last sixty years, El Helicoide is a modern ruin par excellence. The building began as a private investment during the oil boom of the military dictatorship "Military Dictatorship in Venezuela (1948-1958)") that took place from 1948 to 1958, but its construction stopped during the transition to democracy undertaken from 1958. After years of abandonment, the State commissioned a series of unsuccessful projects for its reinvention, before using it as a shelter for victims, since later, In the 1980s, it would be the main headquarters of the Directorate of Intelligence and Prevention Services.[note 1]​ With its bold design, symbolic load and tumultuous history, it is a fascinating presence in the urban landscape and the collective imagination.[10]​.

In the contemporary architecture of Caracas, the Parque Central urban complex "Parque Central (Caracas)") stands out, formed by a group of buildings in which two twin towers stand out, which from 1979 to 2003 held the honorable title of being the tallest skyscrapers in Latin America. In reality, the complex is the sum of several concepts: commercial, housing, recreational), cultural and financial carried out by the Simón Bolívar Center. It is a clear reflection of the economic and social power of Venezuela in the last third of the century. In addition to the two towers, it is part of the Museum of Contemporary Art of Caracas (1974), the Children's Museum "Museo de los Ninos (Caracas)") (1982), also nearby is Los Caobos Park, Teresa Theater Carreño (1983) and the National Experimental University of the Arts (2008).[11]​.

• - Central Park Buildings "Parque Central (Caracas)").

• - Museum of Contemporary Art of Caracas.

• - Children's Museum "Children's Museum (Caracas)").

• - Los Caobos Park.

• - Hotel Alba Caracas.

• - National Art Gallery "National Art Gallery (Caracas)").

• - Teresa Carreño Theater.

• - National Experimental University of the Arts.

The Simón Bolívar Center previously and in parallel created more projects such as the El Silencio redevelopment (1945), Bolívar Avenue "Avenida Bolívar (Caracas)") (1949), the El Silencio Towers (1954), the Parque del Oeste (1983) and the Caracas Palace of Justice (1993).

In the middle of the century, with the oil boom and capital "Capital (economy)"), large world-renowned infrastructure projects arrived in the dictatorship of Marcos Pérez Jiménez, promoting a policy of works that included bridges, highways, housing and modern towers for offices of the government of Venezuela. Caracas saw the birth of the University City of Caracas (World Heritage since 2000) considered an example of modern architecture of the time. The campus comprises a large number of constructions and buildings grouped into a functional and structured complex, whose value is enhanced by masterpieces of architecture and modern plastic arts such as the covered plaza, the Olympic stadium and the auditorium "Aula Magna (Central University of Venezuela)"); ornamented with the sculpture Floating Clouds "Floating Clouds (work of art)") by Alexander Calder.[5]​ On this occasion, the architect Carlos Raúl Villanueva, who designed it between 1944 and 1969, would act again. The appreciation of color powerfully marks his work and teaching notebooks, making his position very clear about its importance in the work. The set is an expression of a modernity that establishes a dazzling chromatic dialogue with the viewer who inhabits it. The inclusion of polychromy is an essential part of the architectural discourse to explore space as a function of time. Color and movement constitute concepts to understand its architecture. In the flow diagram, functions are assigned to colors to chromatically propel the observer through space.[6]​.

• - Berger des Nuages by Jean Arp, 1954.

• - Floating Clouds "Floating Clouds (artwork)") by Alexander Calder, 1953.

• - University Hospital of Caracas, 1954.

• - Venezuela Lagoon.

• - Mural by Pedro León Zapata from the Francisco Fajardo Highway.

• - L'Amphion by Henri Laurens, 1953.

• - Faculty of Architecture and Urban Planning.

The Humboldt Hotel, built under the doctrine of perezjimenismo. His plan from the beginning has been to create a larger tourist and recreational complex, involving the Caracas cable car as a means of transportation. This work represents the effort on the part of its architect, Tomás José Sanabria, to generate a comprehensive architecture that articulates the relationship between architecture, nature and the city.[7]​ The final project is presented as a functional distribution of masses and style. It is made up of a series of large vaulted rooms and a circular tower. The construction of this building was a true engineering feat due to its remote location that made it difficult to access and transfer materials. Despite these difficulties, the hotel was built in the short period of 199 days.[8]​ In 1965 he obtained the National Prize for Architecture and then in 1967 he was awarded another by the National Institute of Culture and Fine Arts. In 1973 he was appointed main member of the Conservation Board of the Artistic and Historical Heritage of the Nation.[9]​.

As a place subject to the economic, political and social ups and downs that have shaped Venezuelan reality in the last sixty years, El Helicoide is a modern ruin par excellence. The building began as a private investment during the oil boom of the military dictatorship "Military Dictatorship in Venezuela (1948-1958)") that took place from 1948 to 1958, but its construction stopped during the transition to democracy undertaken from 1958. After years of abandonment, the State commissioned a series of unsuccessful projects for its reinvention, before using it as a shelter for victims, since later, In the 1980s, it would be the main headquarters of the Directorate of Intelligence and Prevention Services.[note 1]​ With its bold design, symbolic load and tumultuous history, it is a fascinating presence in the urban landscape and the collective imagination.[10]​.

In the contemporary architecture of Caracas, the Parque Central urban complex "Parque Central (Caracas)") stands out, formed by a group of buildings in which two twin towers stand out, which from 1979 to 2003 held the honorable title of being the tallest skyscrapers in Latin America. In reality, the complex is the sum of several concepts: commercial, housing, recreational), cultural and financial carried out by the Simón Bolívar Center. It is a clear reflection of the economic and social power of Venezuela in the last third of the century. In addition to the two towers, it is part of the Museum of Contemporary Art of Caracas (1974), the Children's Museum "Museo de los Ninos (Caracas)") (1982), also nearby is Los Caobos Park, Teresa Theater Carreño (1983) and the National Experimental University of the Arts (2008).[11]​.

• - Central Park Buildings "Parque Central (Caracas)").

• - Museum of Contemporary Art of Caracas.

• - Children's Museum "Children's Museum (Caracas)").

• - Los Caobos Park.

• - Hotel Alba Caracas.

• - National Art Gallery "National Art Gallery (Caracas)").

• - Teresa Carreño Theater.

• - National Experimental University of the Arts.

The Simón Bolívar Center previously and in parallel created more projects such as the El Silencio redevelopment (1945), Bolívar Avenue "Avenida Bolívar (Caracas)") (1949), the El Silencio Towers (1954), the Parque del Oeste (1983) and the Caracas Palace of Justice (1993).