Architecture as the future
Introduction
Neofuturism is an artistic movement from the end of the century to the beginning of the century in the arts, design and architecture.[1][2]
Described as an avant-garde movement,[3] as well as a futuristic rethinking of the thinking behind the aesthetics and functionality of design in growing cities, the movement has its origins in the structural expressionist work of mid-century architects such as Alvar Aalto and Buckminster Fuller.[1]Futurist architecture began in the century from styles such as art deco and later with the Googie movement, as well as high-end architecture. technology.[4][5][6].
Origins
Beginning in the late 1960s and early 1970s by architects such as Buckminster Fuller[7] and John Portman,[8][9]architect and industrial designer Eero Saarinen,[10]Archigram, an avant-garde architectural group (Peter Cook, Warren Chalk"), Ron Herron, Dennis Crompton"), Michael Webb, David Greene&action=edit&redlink=1 "David Greene (architect) (not yet written), Jan Kaplický and others); neo-futurist",[18][19] influenced other architects, particularly Richard Rogers and Renzo Piano, whose Pompidou Center expanded on many of Price's ideas.
Definition
Neofuturism was partly revitalized in 2007 following the publication of the Manifesto of the Neofuturist City[20][21][22] included in the candidature submitted to the Bureau International des Expositions (BIE)[23] and written by innovation designer Vito Di Bari")[24][25] (former executive director of UNESCO),[26] to outline his vision of the city of Milan in the time of World Expo 2015. Di Bari defined his neofuturist vision as the "cross-pollination of art, cutting-edge technologies and ethical values combined to create an overall superior quality of life";[27] he made reference to the Fourth Pillar of the Theory of Sustainable Development[28] and reported that the name had been inspired by the United Nations report Our Common Future.[29].
Shortly after Di Bari's manifesto, a collective in the United Kingdom called The Neo-Futurist Collective, launched their own version of the Neo-Futurist manifesto, written by Rowena Easton, on the streets of Brighton on February 20, 2008, to commemorate the 99th anniversary of the publication of FT Marinetti's in 1909. Bari, in the sense that it focused on recognizing the legacy of the Italian futurists, as well as criticizing our current state of despair over climate change and the financial system. In their introduction to their manifesto, The Neo-Futurist Collective noted: “In an era of mass despair about the state of the planet and the financial system, the futurist legacy of optimism for the power of technology meeting the imagination of humanity has a powerful resonance for our modern era.”[31] This shows an interpretation of neofuturism that is more socially involved, one that speaks directly to its followers rather than denoting certain perspectives through actions (for example, the choice of eco-friendly materials in neofuturist architecture).